Throughout the history of music, composers have redefined instruments, using them in new ways, and forcing players to go beyond what was expected of them. The makers of instruments keep improving them, in response to these demands, enabling musicians to do more easily what was close to impossible.
My insight, though, had less to do with the changes in the design of the flute, from the wooden baroque flute, with only one key, requiring the performer to use complex fingerings to produce sharps and flats, to the silver, gold, or platinum flutes of today, than it did with the conceptual invention of an instrument, the changes in its use by musicians.
This is easily seen in the history of jazz and the development of the saxophone as a major vehicle of jazz performance. Players grasped the expressive capacity of the instrument and kept pushing, getting more and more out of it. The physical invention of the saxophone in the mid-nineteenth century produced the tool that, in the hands of creative musicians, made music undreamed of by the makers of the instrument.
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